It can be seen as short of version that, so much goes into making a good movie keeping in mind the taste of audience. Why the question about attitude of film-makers arise here. So the Corporation ultimately wore the look of an ex official guild comprised of in-office or retired government servants which made a collage of a reluctant lot, where creativity got a slow burial. What practically bugged the OFDC is the improper manning of the corporation as it was handed over to a lot who were from the official background and suffered from a serious dearth of the creative outlook which is a vital ingredient for quality cinema. Secondly, the Odisha Film Development Corporation(OFDC), which stood for providing several inherent impetus such as, in making, a subsidy induced financial succor, the entire process got virtually derailed due to lack of a serious supervision and sincerity by the higher ups in this apparatus. Sadly, after an initial euphoria the venture nearly faltered and the said studio has merely remained to showcase greenery and other cosmetic decors whereas, the restructuring of the infrastructure fell flat. There was an attempt few years back to incorporate some quality technical up gradation and post production refinement through a joint venture with the Prasad Laboratory of Andhra Pradesh and the state owned Kalinga Studio with a share equity pattern. Neither there has been any serious brain-storming by the film fraternity itself nor has there been any concerted attempt by the supervising government apparatus to synch with the ground realities and breath steam into this mediocrity. Plus the worrying dearth of inclusion of new thinking and innovations by plucking themes from within the lives and history.Įfforts by the administrative apparatus to support this industry has been found bit wayward. That is attitude on the part of the film-makers.Īnd what is, perhaps, conspicuously absent is the intimate blend of the social fine distinctions and values those constitute the core Odia culture and life styles. Reasons can be many but the film watchers and critics in the field mainly prefer to cite the lack of finance, technical knowhow and a proper exhibition facility besides the constructive promotion of contents to woo the viewers. What has emerged is, blind imitations, mainly of Tamil or Telugu remakes or a few copy paste of Bollywood celluloid ‘masala, ingredients. In nut shell, when compared to the other regional films, here it all appear like a minnow in the school of whales. Even the feeling among the Odia cine goers is not that encouraging. Baring a few exceptions, the general perception about Odia Cinema that prevails is, broadly, not so good.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |